Clown makeup means altering the person from natural to artificial character by their looks. Professional artist is for all . The clown is a comic character characterized by wearing flashy clothes, outrageous makeup, and doing or saying funny things to amuse the audience. The word, as such, comes from the Italian Pagliacci. However, the clown expression is to make people laugh with your jokes, tricks, or pirouettes. He uses skills and techniques of acting, magic, music, dance, juggling, acrobatics, mimicry, and others. His great capacity for improvisation is particularly remarkable. He is a character who usually wears extravagant clothes and bright colors with enormous shoes. Her makeup paints her face white, wearing a fake nose and striking wigs. However, all of these will depend on the type of clown depicted.
Types of clown Makeup
There are different types of clown makeup, classified according to their origin and their role on stage. The clown, also known as the white, white-faced, floured, or ready clown, is a clown who usually dresses smartly and always uses white makeup. He represents order, the adult world. The month of August is flamboyant, mischievous, absurd, clumsy, surprising, and provocative. He dresses anyhow and always wears a red nose and oversized shoes. Symbolizes freedom and disorder, the world of children.
Counterfeit, August 2 or Thrombus. He is good with musical instruments. The dignified and intelligent eccentric, he is an evolution of the noble character. He opinions out for the ingenuity with which he expressions difficulties. The Wanderer is a lonely, silent August clown in the garb of a social pariah. Messe Loyal is the authority who exercises as manager and track presenter. Mime, a variety of mute clowns. Their physical and musical skills stand out. He looks alone and plays with the objects around him.
clown, a familiar comic character of pantomime and circus, known by distinctive makeup and costume, ludicrous antics, and buffoonery, whose purpose is to induce hearty laughter. Unlike the traditional fool or court jester, the clown usually performs a set routine characterized by broad, graphic humor, absurd situations, and vigorous physical action. The earliest ancestors of the clown flourished in ancient Greece, bald, padded buffoons who performed as secondary figures in farces and mime, parodying the actions of more severe characters and sometimes pelting the spectators with nuts.
The similar clown appeared in wearing a pointed hat and a motley patchwork robe and serving as the butt for all the tricks and abuse of his fellow actors. Clowning was a general story of the acts of medieval minstrels and jugglers. Still, the clown did not emerge as a professional comic actor until the late Middle Ages, when traveling entertainers sought to imitate the antics of the court ho specialized in comic drama at festival times. Wearing a black domino mask and carrying a bat or loud slapstick, with which he frequently belabored the posteriors of his victims. The English clown was descended from the Vice personality of the medieval mystery plays, a buffoon and prankster who could sometimes deceive even the Devil. The famous William Kempe and Robert Armin were the first professional stage clowns connected with Shakespeare’s company.
There’s a word, albeit one not standard by the Oxford English Dictionary or any thinking manual, for the excessive fear of clowns. You aren’t alone in your horror of makeup-clad entertainers people have been frightened by clowns for centuries. However, not many people have a debilitating phobia of clowns many more don’t like them. Do a Google search for “I hate clowns,” The first success is ihateclowns.com, a situation for clown-haters that also suggestions vanity.
One “I Hate Clowns” Facebook page has objective under 480,000 likes. Some circuses have held studios to help visitors get over their fear of clowns by letting them watch actors transform into their clown persona. Communal loathing for clowns took a illegal turn when dozens of fiberglass clown statues part. A public art exhibition called “Clowning Everywhere Town” and a nod to the city’s olden times as a winter haven for traveling circuses were face, their limbs broken, heads lopped off, spray-painted, two were abducted, and we can only estimate at their sad fates.
For the clown, makeup is a way of impressing the public and asserting his uniqueness. It helps the actor to put himself in the imagination of his creature. It affirms an imaginary. And it’s a way of revealing the actor – hiding it. Because, like any creative gesture, it gives a form. It allows the manifestation of the interiority of the actor or actress. It is a projection on the outside of what we carry deep down.
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